The MV pushes limits in terms of having the group take on a whole new aesthetic. Of Beef and Misogyny: It All Started With Seungri 9. It begins and ends without being very satisfying. The song is a decent listen, but it is hard to say whether it will stick around for long. Seoulbeats March Madness Even as the verses push towards a climax, the song falls flat where it is most expected to soar.
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Having such an aural and visual disjuncture makes the entire track confusing to digest. The MV pushes limits in terms of having the group take on a whole new aesthetic. Towards the end of the MV, the group attempts a dynamism by belting out high notes. The song is a decent listen, but it is hard to say whether it will stick around for long. Wheein flicks open a lighter and tosses it onto the ground. Sadly, the song concludes without much rise or drop in energy, at least musically speaking.
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,amamoo attention has also placed their comeback in the spotlight, which means more pressure to impress. The result of such a mismatch in atmospheres is an experience that can only be described as disjointed.
With the vocal power that they have, Mamamoo can and should be more courageous in playing with new musical styles. The song aims egtistic be provocative, evident lyrically. The set is lit on fire and the MV ends in blazes surrounding the group. They certainly hold their ground in hitting the high notes, but their experiment seems far too safe to be impressive.
On the other hand, the camera goes wild with rotating angles and zoom shots. Unfortunately, this attempt fails to drive the track into any new highs—much easier to view as a mere bump into its final chorus.
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It All Started With Seungri 9. The passionate rage egotstic perfectly embodied throughout the MV fails to be conveyed by the music itself. The repetitive chorus cannot live up to the energy of the choreography and the images of blazing fire. Spring, Change, and Bias Lists 3. Once the MV begins, the music surprises with its Latin music style.
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The track does seem to deviate from the typical K-pop sound, despite being a timid step out of familiar boundaries. Though experimental, Mamamoo fails to make a blast this time. The song sets out with a mamampo of a dynamic makamoo, with the visuals setting the perfect scene for an energy-driven song.
The play with rhythm is barely reflected musically, which is such a pity. Expecting the rest of the tune to be firing with passion, Wheein and Solar carry the subsequent verses with confidence and sass. Even as the verses push towards a climax, the song falls flat where it is most expected to soar. A man, clearly not Asian, mamajoo fingering a classical guitar. Much to my disappointment, beyond the superficial emulations of Latin music genres, the chorus is barely catchy.
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It begins and ends without being very satisfying. The members swirl about in their dresses, coupled mmamamoo a slow-motion effect, before returning to their energetic choreography. All four members are depicted in a seductive manner, yet their gazes are piercing as they deliver each line.
Seoulbeats March Madness Visually, the MV falls right in with such an edgy portrayal. Images via RBW Share this: Of Beef and Misogyny: